This is another book about the dissolution of the West.
Ideas Have Consequences by Richard M. Weaver.
While Ideas Have Consequences is another book about the dissolution of the West, it is by no means just another -- it is a beautifully crafted series of interconnected essays about the folly of modernism and its theoretical underpinnings and how a restoration might be attempted. It is one of those rare books that is simultaneously a theoretical treatise offering practical guidance (albeit on an abstract goal: restoring a culture). It is not a religious treatise per se, but as its primary interest is in cultivating a culture that seeks transcendent truth, it necessarily has religious overtones.
While Weaver was not a Roman Catholic, he certainly sympathized with Catholicism to a large degree. It is amazing to me that someone like Richard Weaver who identified the Catholic middle ages as the high-point in man's social development and the medieval philosophic doctor as epitome of culture did not convert to Catholicism. Indeed, he wrote, in obvious reference to the Reformation, that "[f]or four centuries, every man has been not only his own priest but his own professor of ethics, and the consequences is an anarchy which threatens even that minimum consensus of value necessary to the political state." Weaver died at fifty three in the early sixties. As such, we are deprived of knowing whether he would have eventually became Catholic. I genuinely suspect he would have.
Like so many things, I understand this particular book much better as a traditional Catholic. I read it ten or so years ago and vaguely remembered it. But at that time, I was a political conservative and, although I did not know it, an ecclesial liberal. Indeed, politics were at that time probably more important to me than the state of my soul. As such, I was a shallow thinker and a much more shallow person. Oh, how much has changed. I threw my television out, and I came to terms with my sports addictions. And I started to seriously read -- and read the classics at that. I really had no idea just how ignorant I was. It is almost as if I read this book ten years later as a different person. While that is an exaggeration, my life as a traditional Catholic with its liturgical and devotional emphasis on the ancient faith and the centrality of truth in one's life make this particular book more relevant. I have a better idea of what is to be restored than perhaps the author himself knew.
Simply stated, Weaver was a traditionalist. He would have been right at home with Catholic traditionalists and the ideas that are current among them. His cultural critique is theirs. His economic critique is theirs. And his political critique of the limitations of democracy is also theirs. In short, Richard Weaver might be the best Catholic traditionalist writing out there -- at least in his evaluation of the cultural disintegration of man through modernism. Weaver has many similarities to Hilaire Belloc, and a traditional Catholic today will certainly enjoy Weaver. Weaver is more of cultural critic than Belloc was: Weaver is only incidentally an economist or historian. As the American Weaver wrote nearer in time to us, he may be more accessible to us than Belloc is.
Weaver was more than merely a cogent critic of a dying culture: he was prophetic in seeing the debauchery to come. More than a few instances in the book demonstrate Weaver's ability to see how a cultural chain of logic will eventually play out (e.g., obscenity). Written in the late 1940s, Weaver anticipated the cultural disintegration about to occur in full force beginning in the 1960s. He could see it coming because he understood what ideas (or lack there of) stood at the basis of our hollowed out culture.
Ideas Have Consequences is essentially framed around one question: "The issue ultimately involved is whether there is a source of truth higher than, and independent of, man; and the answer to the question is decisive for one's view of the nature and destiny of humankind." Of course, we all know, that modernist culture and ideology answer this question negatively. As such, as Weaver initially points out, modernism is a materialist dogma that denies truth and further denies than mankind has any real purpose or meaning.
The embrace of modernism by the West has brought about a cultural wasteland that any sentient creature cannot deny. Weaver said we have been programmed by the Whig theory of history to believe that the latest point in time represents the greatest point of human development: as if each successive generation moves towards a further progression of human culture and development. (It is fascinating just how ingrained that theory really is.)
Weaver rightly shows that this Whig theory is demonstrably false: and he believes we have to show it is, in fact, false. Weaver argues that we can show our cultural degeneration by deduction, and through a series of questions the answers to which are difficult to deny. First, is man wiser today? Second, is man happier today? Third, is man more powerful today? Weaver categorically denies that technological feats of the West inform answers to these questions. Are we modernists a happy and wiser lot? Do we even think in those terms anymore? Weaver's answer is that we are undeniably not wiser -- for we do not know why we are here and to what purpose we should apply our lives. We are much less happier than previous ages: we toil in anxiety as wage slaves in an effort to obtain greater and greater material comforts that, in fact, do not deliver what they promise.
Anxiety is the hallmark of this age, and Weaver wants to know why. If we are so powerful, why are we anxious? We are because we are not -- power may reside out there, but to any particular individual -- he has never been more powerless. In short, Weaver demonstrates quite convincingly that our modernist culture has deadened man's intellect, and caged him in an environment that prevents him from wholly being man. And this is progress? Collectively, this deadening is part of the alienation of modernist culture -- in the midst of people, we are utterly alone; in the midst of instant push button information, we are wholly ignorant of our purpose; and in the age of plenty, instant gratification, and comforts of every conceivable kind; we have a depression epidemic.
With this introduction the book is organized around first describing who "we" are -- and we refers to those who admit that modernism is a cultural toxin that must be resisted and replaced with an authentic culture which values the truth and virtue. Weaver's description of the cultural man -- the gentleman -- is refreshing. He has a deep respect for forms and convention: he is a man of style in the sense that he understands measure in time or space. He is everything that modern man is not: he is chivalrous and disciplined. In short, he transcends the sensory data of his existence and passes from knowledge of particulars to that of universals. What strikes me most, and it is not language that Weaver uses, the man of culture is modest. I imagine to Weaver, the man of culture was the Southern gentlemen (perhaps, R.E. Lee or someone like him).
Compared with the man of culture is the barbarian (man without culture) and the philistine (the barbarian living in the midst of culture), these men are immodest -- they seek immediacy; they seek to unveil all -- evidently ignorant that "knowledge of material reality is a knowledge of death." Here the veil that Weaver discusses plays a prominent role. Whereas the man of culture is modest -- using the veil to as a tool of refinement, the barbarian wants life as it is. Traditional Catholicism has helped me understand the "veil" reference in a way I could not have understood otherwise. The ancient Latin liturgy is itself a veil -- a half revealed anteroom of a worship that transcends Earth's very bounds. In ways that are not explainable, the ancient mass is in and of itself a reprieve from the materialism of the world. It is wholly otherworldly -- and, for that reason, this lazy culture will not have it.
Whereas the man of culture rises above his sensual base nature -- the barbarian does not understand why it is necessary to rise above it all. What is amazing, is the barbarian does not even know what the question is. Here, Weaver discusses especially the inability of our modernist culture to understand what obscenity is. Considering that he expressed that view in the 1940s, I can only imagine his dismay at how our culture tolerates obscenity on a scale almost unknown in human history. Anecdotally, it is has been a number of years since I jettisoned my television: what amazes me when I visit a family member or friend who has one is just how vulgar mainstream media has become. Indeed, I am not alone in wondering how long God will tolerate this filth and perversion -- how long? How prophetic was his identification of obscenity as a fault line exposing the enervation of this culture.
Per Weaver, the glue of any culture is the recognition -- at an early stage of human development -- of the sentiment that the world is good. Sentiment in that sense antedates reason. Pre-cultural periods express these sentiments without form, and post-cultural periods express these sentiments in a contest of forms (i.e., confusion). The unity of forms and convention mark cultural stability and
metaphysical consensus that make community possible. Authentic communities require consensus on moral and ethical questions, of beauty and art, and, perhaps more importantly, a shared sense of man's purpose. In essence, this consensus
is culture. Modernism is the rejection of this truism -- it is the absence of any culture. It is an individualistic free-for-all.
The waning of this metaphysical "dream," as Weaver call is, as well as the loss of religion, begin the cultural disintegration, which never ends until complete dispersion. Indeed, as Weaver argues, "[h]ow can men who disagree about what the world is for agree about any of the minutiae of daily conduct?" (emphasis added.) What strikes me about the gross superficiality of the "talking heads" of political punditry is that none address this foundational question when debating this or that policy.
Today, we live in a modern Babel in which meaningful community is simply not possible. The construction of new communities in which civility and culture are preserved and passed on until this terrible virus of modernism leaves us is now the goal. Seemingly parochial, but our home schooling groups centered around the ancient liturgy are powerful salt against a society and culture actively committing suicide. Here we pass on timeless truths and virtues strikingly out of vogue.
Weaver spends a considerable amount of time describing the nature of our cultural suicide. We know modernism involves a relativism and denial of transcendence. It further abhors distinctions and hierarchy because they rub at its "equalitarian" sentiments that all men are essentially equal. In many senses, i.e., before the law, all men are equal -- but in many more ones, they are not equal. They are not equal in character, in thrift, in discipline or in charity. Per Weaver, failing to recognize where men or even cultures are not equal is tantamount to denying the values that serve to distinguish them. We have to recognize better and worse in men and societies-- an ideology that enjoins us from doing so can never have a community based upon values.
In what could be drawn from "The Matrix," Weaver posits that the modernist beast is tied together by "The Great Stereotopicon," which projects those feelings and intuitions that modernism wishes us to have. We are -- in some literal sense -- being anesthetized by a cultural machine that is the mass media. All one has to do to test this premise is shut out the mass media for a relatively short period of time -- and one will never look at it the same way again.
Another aspect that Weaver spends a considerable amount of time dissecting is the fragmentation of society. Man today specializes: we all know more and more about less and less. The generalist is eschewed. We are thus tiny cogs in a monstrous creation in modernism -- no one in particular has any idea of the entirety. The "whole" of society moves without purpose or reason. I can speak to the fragmentation directly -- the economic atomizing is really one of the primary ways that man is emasculated. He has no control over his life. Events seem to move around about him without his control in the slightest. Fragmentation is synonymous with the alienation man senses today.
Economically, fragmentation has so divided man's labor that the idea that work is a type of prayer is a foreign concept. The pride of man's work -- the pride of man generally -- flowed from the connection between what he did and what was produced. The carpenter saw his furniture made, the builder saw his house, etc.; with specialization, we do not make the whole -- only contribute often an invisible part to an economic unit of production. Work is not something we pride ourselves in any longer -- culturally, we do all we can to avoid it, because, after, the implicit purpose of life is meaningless comfort. Weaver makes the further point that the further man is pushed from the soil, the more alienated he becomes. There is, per Weaver, something medicinal for man's soul in the soil. In his economic analysis, Weaver is positively Bellocian.
Because men are wholly equal, modernism implicitly tells all men that they are equally entitled to whatever any other man has. Resentment and what Weaver calls the "spoiled child psychology" abound. Modern man is concerned with himself and his rights -- he has no concept or patience for his duties. After all, what are those? How prescient this critique is considering that it came into fruition in the last thirty years. We are a people obsessed with our rights -- we define our very existence by what we claim as rights. How inverted is this mentality from our right relationship with God? Correctly stated, all we have is duty toward God -- we have no rights whatsoever upon him. That recognition builds up our humility and reduces our pride. Modern man and obsession with "rights" predictably builds up his pride and reduces his humility.
Just as modernist is obsessed with his rights, the bourgeoise likes its comfort. Really, Weaver's pen makes one disgust the self-serving bourgeoise -- truly, through his pen, I can understand Whittaker Chamber's lament that, for him, the contest really was between communism and God. The bourgeois milquetoast does in fact summon less than charitable sentiments. I recently walked through an affluent American mall -- the same kind that would be found in any upscale community -- and was disgusted in a visceral way by the soft and pudgy men in their expensive casual clothing, manicured nails, and costly trimmed hair. It was almost as if they struck me as wholly emasculated -- these are the sons of men who embarked in fourth class steerage for a better life? Weaver more or less puts his finger on the pulse of these soft "almost" men -- and why modernism so uniquely and metaphorically castrates them. Really, is there anything more pathetic as a rights-obsessed, comfort-seeking and obscenity-loving man?
Weaver makes the point that the idea of the hero has diminished in proportion to modernism's ascent. While undoubtedly a harsh critique above, the soft middle class mentality of America is a disgrace. The cultural explosion of thrill-seeking -- from climbing dangerously high mountains, to skate-boarding, to surfing, to bungee-jumping, etc. -- is, in part, a reaction to this social phenomena of national enervation. Young men have a longing for more than a safe and comfortable life -- it is in their bones. In other words, young men naturally tend toward the heroic. When God is removed, when the authentic hero in Christ is no longer taught, young men will fill that "God-void" by jumping off train tressels or out of airplanes. Ultimately, the restoration will be brought about by young men because their idealism when coupled with virtue and direction will move mountains.
For Weaver, the restoration begins with what he calls the last metaphysical right: property. Property is anachronistic in a modernist world because its existence does not depend on use: it simply is "his" without reason. To Weaver, property rights are dogma -- and he revels on how those rights stick in the craw of the utilitarian philosophers of this age. His views on the soil and his distrust of urbanity inform his views on property; but property really appears to be a staging ground for the restoration. From here, we can dissent. Perhaps he sees property as a type of cultural monastery similar to those that preserved the West during the sixth and seventh centuries.
The second point of restoration begins with language: insisting on the universal and
teleological nature of language. "In fact, the whole tendency of empiricism and democracy in speech, dress, and manners has been towards a plainness which is without symbolic significance. The power of symbolism is greatly feared by those who wish to expel from life all that is nonrational in the sense of being nonutilitarian, as witness the attack of Jacobins upon crowns, cassocks, and flags." Weaver continues further on: "We live in an age that is frightened by the very idea of certitude, and one of its really disturbing outgrowths is the easy divorce between words and conceptual realities which our right minds know that they must stand for." Indeed, "[u]ntil the world perceives that 'good' cannot be applied to a thing because it is our own, and 'bad' to the same thing because it is another's, there is no prospect of realizing a community." The final point of restoration for Weaver is piety. He wishes us pious to nature, neighbor, and our past. Interestingly, he wishes us to have respect for our past much as Chesterton equated tradition as democracy for the dead.
Ideas Have Consequences is much more relevant today then when it was written sixty years ago. Richard Weaver gave us -- the survivors of a cultural holocaust -- an accounting of what the modernists have done. And in the wasteland we live in, we can begin the restoration. To his point of property, we have added home-schooling, where we say "no" to the state to indoctrinate our children. To his point of piety, we have rejected the modernist innovations of religion that seek to make peace with the barbarian. We have begun the restoration, and we have to continue it by all necessary means. Richard Weaver deserves our gratitude and admiration for taking on this beastly machine of modernism.
Deo gratias.